Turning Tables
byAn in-depth essay on the work of artist-activist Kathryn Eddy, from Mandy-Suzanne Wong’s new book, Listen, we all bleed, published by New Rivers Press, November 2021.
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Lille Gris
byLille Gris was dreamt up before Brexit and Covid-19 changed everything. In December 2017 an invitation arrived to participate in an exhibition programme at…
Residency Reflections
byArtist Rosa Farber, who currently lives and works at Laines Organic Farm, looks back at her online residency with The Learned Pig.
A Receptive Walk
byAudio, photography and text by artist Jessica Emsley from A Receptive Walk, an artistic exercise to disrupt the usual rhythms of more-than-human communication.
Sing the Gloaming
byAn interview with Professor Simon Kirby and artist/ musicians Tommy Perman and Rob St. John discussing their ongoing collaborative project, Sing the Gloaming.
Artist-in-Residence: Rosa Farber
byWelcome to The Learned Pig’s inaugural artist residency! This residency is in part the result of ongoing discussions among our editorial team. We’ve been…
Soundmarks
byRose Ferraby and Rob St. John discuss their audio-visual art project animating the sub-surface world of the landscapes beneath Aldborough, North Yorkshire.
Living Symphonies
byBetween Liverpool Street and Chingford, the heatwave had cooked the train carriage and all who rode in her to fetid ripeness. On the other…
The Wandering Walk
byThe Wandering Walk is a site-specific installation located on the South Fyn Danish Island of Ærø. It engages with the familiar practice of walking…
Editorial: Rhythm
byFrom the impact of clocks on notions of time, to the effects of computers, trains and planes on experiences of modern life, rhythm –…
From A Queer Ornithology
byFor those who delight more in the seed of things, I can say that these poems investigate queer, genderfluid indigeneity, and interspecies-relational philosophy through deep observation of wild birds.