Tag: sculpture
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The Night Horse and the Holy Baboon
Victoria Rance and I met at Newcastle University in 1980. We were studying Fine Art and English Literature respectively and have remained friends ever since. We share an interest in psychology, Jungian ideas and the power of mythology. Victoria Rance’s latest exhibition, The Night Horse and The Holy Baboon, at The Cello Factory Waterloo, was…
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Performance for the Anti-hero
New York-based artist Patrick Jacobs unfolds a carefully crafted stage that invite us to seek wonderment in both natural and unnatural landscapes that might easily be overlooked. Painstakingly constructed models display different species of fungi or weeds in the foreground. Each leaf and blade of grass is shaped to situate a humble scene. Jacobs imbues…
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Bench
A little over eight years ago Jeppe Hein, the Danish installation artist, gave a presentation at the Barbican at which he talked about his Modified Social Bench series. His installation of outdoor benches, each of which was playfully altered to impair its functionality (one with exaggeratedly short or long legs, one apparently broken in two,…
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The Couple on the Corner
On the corner of St Michael’s Church, Bryngwyn, a couple are fixed together in mortar. They are lying horizontally, one on the east wall, one on the south. Their heads meet at the edge. At some point in the many buildings and re-buildings of this church they have come to be a quoin. Now, as…
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Bitumen and Pork
Four busts and an image of creation. BITUMEN AND PORK was an installation to mark the post-performance cabaret of FEAST, a work by theatre company Clout at Battersea Arts Centre in 2014. The performance charted the gradual alienation of mankind through a framework of breakfast, lunch and dinner. The installation BITUMEN AND PORK was an…
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Soap / Eternity / Rendering
INSTRUCTIONS ON A BAR OF NATIONAL SECURITY AGENCY SOAP Do what you want, live how you want. Get it behind your ears and all over the skin you want. Do not think about machines. Read what you will, focus your eyes on grime and slime and free will. Or grace,…
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Do Not Touch the Artworks
From 1938-9 and for a period of over fifteen months, a cleaner at The British Museum set to work on the Parthenon Marbles. Using cooper tools, the worker began to clean the marble figures and friezes, believing their bisque-like façade to be unwanted dirt. All manner of scandal, disciplinary action and juridical affairs ensued, with…
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Editorial: Clean Unclean
My side of the desk is scrupulously clean. The other half is a mess of dust and papers, temporarily abandoned books, a pair of tights, a lump of local granite. The line that separates the two is not as clear as I’d like. From the other side, my wife’s stately, slender Mac spaceship turns its…
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Beauty and Revolution / A Token of Concrete Affection
Now is the time to visit Cambridge if you’re a fan of concrete poetry. At Kettle’s Yard is Beauty and Revolution, an exhibition of work by Ian Hamilton Finlay, while the Centre of Latin American Studies plays host to a group exhibition entitled A Token of Concrete Affection. Both are furnished from the private collection…
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What Was Once the Threshing Barn
Public/private, urban/rural, commercial/not-for-profit: it’s not like the waters between the two have ever been crystal clear, but now, with the opening in Somerset of the latest outpost of contemporary art giants Hauser & Wirth (London, Zurich, New York) the silt has been stirred up and it all seems just that little bit muddier than before….
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Twelve-Fisted Boxing Caterpillar
On my way back from the gallery I took a train and experienced the usual flicker of annoyance when the conductor began speaking to us as if we were in a plane. He gave the estimated arrival time, pointed us to the safety notices, alerted us to any suspicious looking bags. It was the usual…