Echtrai
byAn interview with Baz Nichols, editor of Echtrai, a new art and literary journal exploring landscapes lost, abandoned, forgotten, mythic.
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Lille Gris
byLille Gris was dreamt up before Brexit and Covid-19 changed everything. In December 2017 an invitation arrived to participate in an exhibition programme at…
Compost: Turning the Heap
byTaking time to reflect: artist Kathrin Böhm on sustaining an art practice while resisting the pressure of endlessly producing more projects.
Behind the Orange Curtain
byBesides getting the usual “Go West, Young Man”-type pandering that we all seem to get from American propaganda, a couple things I came across…
Le Président / The Crocodile Feeder
byLe Président: Seven Days In the beginning, Le President, flattened his ancestral villagei, to create his idea of heaven. “Let there be no…
Macroalgae Matters
bySeaweed in a time of climate crisis: an encounter with a rotten seashore funk prompts writer Andrew Furman to discover more about sargassum.
Bees, Art and Biodiversity
byHow can artists improve biodiversity? Philosopher, author and curator Sue Spaid’s 2020 lecture explains (includes video + edited transcript).
…como na morte crescem as heras…
by‘to fall like a wounded animal into a place that was meant for revelations’ – a new series of photographs by Brazil-based artist Alix Breda.
An Oral History of the Whitechapel Monster
byA digital found text poem by Sam Fulton, charting the trajectory of the Whitechapel Fatberg, an enormous mass of congealed fat in the sewers beneath London.
Dead Owls and Blue Bottle Flies
byHeather Swan, author of Where Honeybees Thrive, explores the taxidermy art of Claire Morgan alongside her own encounters with owls and death.
Breathing Trees
byOn a writing residency in the Andrews Experimental Forest, Oregon, Gavin Van Horn embraces the vital possibilities of more-than-human perspectives.