The Learned Pig

Art – Thinking – Nature – Writing

Tag: performance

  • Turning Tables

    Turning Tables

    An in-depth essay on the work of artist-activist Kathryn Eddy, from Mandy-Suzanne Wong’s new book, Listen, we all bleed, published by New Rivers Press, November 2021.

  • Residency Reflections

    Residency Reflections

    Artist Rosa Farber, who currently lives and works at Laines Organic Farm, looks back at her online residency with The Learned Pig.

  • Mirror Mirror

    Mirror Mirror

    Tom Lovelace introduces Mirror Mirror, a remote collaborative project involving live performance, photography and digital technologies.

  • Spoiled Waters Spilled

    Spoiled Waters Spilled

    Previewing an exhibition exploring rivers, contamination and cross-border circulation. Part of Manifesta 13 Les Parallèles du Sud.

  • Artist-in-Residence: Rosa Farber

    Artist-in-Residence: Rosa Farber

    Welcome to The Learned Pig’s inaugural artist residency! This residency is in part the result of ongoing discussions among our editorial team. We’ve been trying to think through ways to develop more closely collaborative relationships with contributors that involve open-ended discussions over time. We’ve also been thinking about ways to present works in progress. Mostly,…

  • Kenyan Roses for the Kingdom

    Kenyan Roses for the Kingdom

    During a residency in London in 2019, I developed a research and artistic project around the cut rose industry in Kenya. This was linked to on the one hand to the biography of wildlife activist Joan Root and on the other to past British colonial entanglements that are nevertheless still valid and problematic until today….

  • Art in a deteriorating world

    Art in a deteriorating world

    An epistolary exploration of art’s moral responsibilities   “In the era of not yet, barely daring to guess of how soon,” wrote Welsh-British writer Horatio Clare about the melting sea ice, the planet’s air conditioner, in his book Icebreaker, published less then two years ago. Now the scientists dare to guess, and red lights on…

  • Common Salt

    Common Salt

    This is an instrument I have never seen before. A slender dark wooden box, one side opening to become a bellow, pushed back and forth in a solemn rhythm by the hand of the performer. It emits an uncompromising, steady monotone drone, which accompanies a sombre and melancholic chant: ‘This is a la……-ment’. Common Salt…

  • Unrelated

    Unrelated

    A young woman slams her naked body furiously against a wall, again, again, and again, so brutally that I have to remind myself to breathe. Only moments before, I’d carefully sidestepped her as she lay on the floor, unclothed, motionless, and with her eyes shut. I filed into the studio along with the rest of…

  • Archipelagos of Rest

    Archipelagos of Rest

    The God of Genesis had no use for islands; land rose from sea all at once, assured with purpose. Like cognition, the divine continent is quantifiably useful, brokering communal exchange and the consolidation of cultural routines, yet still – unapologetically – islands persist. These archipelagos, connected to and detached from the whole, seem emblematic of…

  • Bitumen and Pork

    Bitumen and Pork

    Four busts and an image of creation. BITUMEN AND PORK was an installation to mark the post-performance cabaret of FEAST, a work by theatre company Clout at Battersea Arts Centre in 2014. The performance charted the gradual alienation of mankind through a framework of breakfast, lunch and dinner. The installation BITUMEN AND PORK was an…