Crosscutting / Night Strands / Homesteads
byThree new poems from the farmlands of Idaho by Samuel Strathman.
Fields
re:rural
byAnna Souter visist Haarlem Artspace to review re:rural, a project taking place both digitally and at the organisation’s home in the Derbyshire Dales.
Apple Path
byApples, animals, and old farm folklore: documentation from a decomposing land art intervention by artist Juliet Duckworth.
Artist-in-Residence: Rosa Farber
byWelcome to The Learned Pig’s inaugural artist residency! This residency is in part the result of ongoing discussions among our editorial team. We’ve been…
Epiphaneia
byRituals; Too Full of Vermouth and Cigarette Smoke: two poems from Epiphaneia, the 2019 collection from OCM Bocas Prize-winner Richard Georges.
Field notes from a place that does not remember
byNew writing on landscape and memory by Dave Borthwick, a self-described ‘tramper of fields and stander in the rain’ who lives in Dumfries and Galloway, Scotland.
(on)zichtbaar
by“If we open our eyes and look further, we realize a mistake has been made, and the wrong story has been told.” Words: Marloe Mens. Photography: Kiki Muyres.
Observation Journal
byIn WWII, Nazis and Soviets fought for control over a seed collection. Now, artist Sergey Kishchenko plants fields to reconstruct these forgotten histories.
August & Grain
byThe fields were sudden bare – John Clare Across the field, a half-mile or more away – across a dry…
Farming Awareness
byVisionary Farms In 1969, House & Garden magazine commissioned Patricia Johanson (b. 1940) to design estate gardens. In the letter inviting her to design…
Recollecting Landscapes
byRephotography, Memory and Transformation 1904-1980-2004-2014 Recollecting Landscapes documents over a century of landscape transformation in Flanders. The first step of the project dates from…