Editorial: Radical Landscapes
Radical Landscapes takes its title from Harriet Tarlo’s seminal collection of British ecopoetries The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011)…
Camilla Nelson is a poet, artist and researcher, currently based in Somerset. She successfully completed a PhD in Reading and Writing with a Tree: Practising 'Nature Writing' as Enquiry, at Falmouth University, earlier this year. Her text work has been featured in Amy Cutler's exhibition Time, the deer, is in the wood of Hallaig (London, 2013) and Karen Pearson's outdoor exhibition in Yarner Wood, Assemblage (Dartmoor, 2012). As well as appearing in several magazines and journals, her poems have been anthologised in The Apple Anthology (Nine Arches) and Dear World & Everyone In It (Bloodaxe) and she has a pamphlet forthcoming with ninerrors press.
Radical Landscapes takes its title from Harriet Tarlo’s seminal collection of British ecopoetries The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011)…
Although I cannot see them, I know they are out there. Hare. Fox. Raven. Each waiting to play their part. – Richard Skelton,…
Freud would have loved this exhibition. Ostensibly Natural Selection – a collaboration between artist Andy Holden and his father, ornithologist Peter Holden – is…
Now is the time to visit Cambridge if you’re a fan of concrete poetry. At Kettle’s Yard is Beauty and Revolution, an exhibition of…
There is a sense of relief, upon leaving this exhibition, of being palpably bound up with pavement, sky and, a few short paces away,…
When I first walked in, I didn’t get it. The walls of the first gallery are covered in neon orange paper. Obviously this was…
in a hoar frost, she said: the weather’s made a Miss Havisham’s wedding feast of this wood the dark of bark…